Born in Red Bank, New Jersey,
in 1904, William "Count" Basie was not always the fabled
"Count". He began his career as Bill Basie, an itinerant
pianist who made his living pounding keys in theaters featuring silent
movies and touring on the Theater Owners Booking Agency (TOBA) circuit,
a hopscotch run of independent performance venues, in black communities
stretching from East to West, North and South.
TOBA was also
known as Tough On Black Artists, or less affectionately Tough On Black
you-know-whats. In 1927, Basie, then touring with Gonzelle White and
the Big Jazz Jamboree, found himself "high and dry" in Kansas City,
Missouri. It was unlikely that Basie had followed Horace Greeley's
actually John B.L. Soule's entreaty to "Go West young man" and his
destiny was certainly not manifest.
recounted in his autobiography, Good Morning Blues, "I don't remember
what my plans were at the time, but in the meantime I got sick and had
to go to the hospital."
a musician of Basie's inclinations, Kansas City was not a bad place to
be stranded. In the 1920's and 30's, Kansas City was headquarters for
the territory bands that played the mid and southwest. KC was also a
veritable cauldron for the heady mixture of blues principles, ineffably
swinging rhythms and brilliant instrumentalists that coalesced into one
of the signature sounds of American music, both popular in its appeal
and substantial in its musical import.
fell in with the best of the territory bands, including Walter Page's
Blue Devils and Benny Moten's Kansas City Orchestra. By 1935, Basie's
destiny was becoming manifest. He had formulated and was leading the
band that epitomized Kansas City Swing, the Count Basie Orchestra.
Along with the bands of Fletcher Henderson, Duke Ellington and Benny
Goodman, Basie's orchestra would define the big band era.
While the media
of the time crowned Benny Goodman the "King of Swing", the real King of
Swinging was undoubtedly The Count. Basie's achievements, however,
would transcend the Swing Era as such. The Basie orchestra evolved into
one of the most venerable and viable enterprises in American music, as
meaningful in its legacy and continuing productivity as any musical
organization of the 20th, and now, 21st century.
the critical consensus charaterizes the Basie lineage in Biblical
terms, as the Old and New Testament bands. The Old Testament band's
style has been summed as a combination of democratically developed, or
head, riff-driven arrangements, dripping with blues essence and
relaxed, but relentless, swing that showcased a who's who of very
distinctive instrumentalists and vocalists: Lester Young, Hershel
Evans, Harry Edison, Buck Clayton, Dicky Wells, Jo Jones, Freddie Green
and Jimmy Rushing among others.
In the early
1950's, The "New Testament" Count Basie Orchestra rose Phoenix-like
from the ashes of the Big Band era. For the last fifty plus years, the
Count Basie Orchestra has been an arranger's palette. Thad Jones, Ernie
Wilkins, Neal Hefti, Sammy Nestico, and Frank Foster, to name a few of
the more prominent Basie's penmen, have added volumes to the Basie
Library. Through them, the Basie repertoire has continued to broaden
harmonically and rhythmically, making it more than hospitable to the
talents of successive generations of musicians. As
Basie allowed for certain measure of change and for a variety of voices
to emerge on the platform he created, his remained the ultimate
Since Basie's passing in 1984, Thad Jones, Frank Foster, Grover
Mitchell, Bill Hughes and now Dennis Mackrel have led the
Count Basie Orchestra and maintained it as one of the elite performing
organizations in Jazz.
Current members include musicians hired by Basie himself: John
Williams (joined in 1970), Dennis Mackrel (joined in 1983), Carmen
Bradford (joined in 1983), Clarence Banks (joined in 1984), as well
as Mike Williams (1987, formerly w/Glenn Miller, NTSU 1 O'Clock), Doug
Miller (1989, formerly w/Lionel Hampton), Scotty Barnhart (1992) and
members who have joined in the last 15 years: David Keim
(formerly w/Stan Kenton), Alvin Walker, Will Matthews, Marshall McDonald (formerly w/Lionel Hampton, Paquito D'Rivera's
United Nations Jazz Orchestra), Doug Lawrence (formerly w/Benny
Goodman, Buck Clayton), Cleave Guyton
(formerly w/Lionel Hampton, Duke Ellington Orchestra), Freddie Hendrix (Illinois Jacquet, Charles Tolliver) and our
newest members: Mark Williams (Howard University), Bruce Harris, Bobby Floyd and Marcus McLaurine (formerly w/Clark Terry)
(Special thanks to Howard
University for their help in compiling this history.)
17 Grammy Awards - 20 Down Beat
and JazzTimes Readers and Critics Polls!